Gracious and eclectic with a strong architectural basis. -- John Chrestia
True "Southern style" has a subliminal sense of theater and joie de vivre, complimented by a definite bend toward elegance. -- Joseph Paul Davis
A sense of gracious invitation. Warm, personal colors. Respect and reverence of our past. Subtle intelligence. -- Barry Dixon
Decoration in the traditional or classical sense with an emphasis on comfort, hospitality, and liveableness, sometimes with a historical reference point, but not necessarily interpreting "period" interiors. Many Southern homes are renovations of once-grand architecture or even auxiliary buildings on the plantation grounds. -- Ann Dupuy
The attributes that define Southern style are a quiet assuredness...a confidence...a warmth that embodies the phenomenon of "Southern hospitality." -- Charles Gandy
Southern style, to me, is rather eccentric, embodying classic roots with a unique application. Comfort and relating to the outdoors is always a strong consideration for design in the South. Color is also very important, many times pulling in color schemes from nature. -- Cathy Kincaid
Southern style is unpretentious and extremely comfortable with an air of informality and relaxed elegance. -- Josie McCarthy
Southern style means friendly, comfortable, approachable interiors. In the South, it's all about being welcome. -- Celerie Kemble
A sense of one's heritage and the importance of making a home welcome to family and friends. -- J.R. Miller
Southern style speaks of gracious living, hospitality, and restrained taste. -- Betty Lou Phillips
Our Southern roots compel us to make hospitality and good manners a priority in our daily living. There is an underlying quality of dignity in the way we decorate. -- Cindy Smith
Casual elegance. An inviting style. The mix of both formal and informal rooms that are integral parts of life in the Southern home. -- Jim Strickland
What elements do all great Southern houses have in common?
Houses of the Southern Tidewater, from Virginia to Louisiana, seem to epitomize Southern style. These unique structures were developed to cope with intense heat and humidity. While each geographic area has its own distinct architectural expression, all embody the same basic strategic elements; abundant porches for shade, high ceilings, exterior shutters, raised living levels, and careful geographic orientation to take advantage of prevailing breezes. -- Norman Askins
Our warm climate influenced our architects to build our historic mansions and modest bungalows with 12 and 14-foot ceilings and rooms with many tall windows and French doors for cross ventilation. -- Gerrie Bremermann
Easy charm; an enormous appreciation for the out of doors, which most often includes a wonderful garden; either formal or rambling. -- Dan Carithers
The environments, whether modern or steeped in history, have a thoughtfully acquired sensibility -- they are tactile and enveloping. -- Darryl Carter
Wonderful porches. -- John Chrestia
All great Southern homes have a traditional mindset of running a proper house, whether it is contemporary or traditional. -- Joseph Paul Davis
A chameleonic quality to live happily among various periods and personalities. Innate hospitality. Openness. -- Barry Dixon
Traditional or contemporary--formal or informal--there is usually something inherited reflecting the Southern sense of family. -- Jimmy Graham
All great Southern houses have piazzas/porches, high ceilings, cross ventilation (a center hall) and wood floors. -- Amelia Handegan
An open door to hospitality and a sense of gracious living. -- Jackye Lanham
What piece of furniture or accessory should no Southern house be without?
Dining room furniture. Of all forms of American furniture particularly associated with the South, the majority seem to have been created for entertainment, and most especially for the dining room; hunt board or slab, sugar chest, Jackson press, and pie safe. -- Norman Askins
Something wicker is a must. Originally, wicker furnishings were chosen as a response to Southern climate, now they serve an equally important role by keeping formal rooms a bit more casual, relaxed, and enjoyable. -- José Solis Betancourt
I have a fetish for chairs -- lots and lots of chairs. I love chandeliers, banquettes, daybeds and large, useful coffee tables. -- Gerrie Bremermann
A comfortable chair. -- Dan Carithers
A sumptuous wing chair strategically placed in a conversation area. This tends to be a magnet where inevitably the first guest will be seated. -- Darryl Carter
A bar, a grand piano, and a well-used dining room table. -- John Chrestia
A huge dining table where the entire family and friends can congregate and talk all day long and into the night. -- Joseph Paul Davis
A silver service, a set of fine china, sterling flatware, and table linens because we do love to entertain at home. -- Jimmy Graham
No Southern house should be without a bowl for camellias. -- Amelia Handegan
Family pictures. -- Cathy Kincaid
Vintage family silver. English 18th-century sideboards and secretary. -- Cindy Smith
Are there elements in your own work that are uniquely Southern?
Like most traditional Southern houses, I want the houses we design to be closely related to exterior spaces, celebrate morning and midday sunlight, and, at the same time, shield themselves from the cruel afternoon sun. -- Norman Askins
Our work incorporates a honed quality into even our most contemporary of projects. This ever-so-slightly worn quality suggests history and timelessness. This appreciation for aged beauty is inherent to Southern style. Southerners have long frowned upon the nouveau while showing an appreciation for their rich and proud history. -- Jose Solis Betancourt
Yes, I love old portraits for their funny faces and outfits. I also love antiques that are a bit wacky mixed with very comfortable overstuffed upholstery, which is clearly more casual. The North, until recently, was always very stiff and uncompromising; it is that whole Puritan thing. -- Joseph Paul Davis
I would like to think that like most Southerners, my work exudes quality and consistency with style and grace. -- Charles Gandy
A not-too-perfect mix of new, antique, primitive, and found objects with some traditional values to create a very personal and timeless space. Never be a slave to perfection and rules. You need a little attitude! -- J.R. Miller
Painting the porch ceilings sky blue. Using fine things in a relaxed way, say silver julep cups for water every night at supper. -- Suzanne Rheinstein
Wood floors, especially old heart pine. A "generational" feel to new design; incorporating the look and feel of grandma's back porch that was enclosed to enlarge the kitchen once electricity became available in the area or to accommodate a growing family. High ceilings. Great detail on the front door. -- Jim Strickland
For whatever reason--heredity, the water, or just plain stubbornness--when I design something, while automatically keeping in mind universal laws and objective ideals, I'm afraid that "Southern thing" seems to always emerge. Call it quirky, eccentric, charming, witty, whatever it is, it seems to always be hiding in the camellia bushes. I'm not ashamed of this but rather think it gives character and depth to my work--but I will leave that final opinion to my critics. -- Ken Tate
We published our first issue in 1977. How has Southern style changed in the past 25 years? How has it changed since Gone With the Wind?
In the past 25 years we have seen the neutral whites, off-whites, and pastels take command. The park bench greens, mauves, and burgundies have vanished. The heavy upholstery was replaced with lighter linens, cottons, and lots of slipcovers. Now I see a trend moving toward formal fabrics, silks, and brocades with more color. But different colors -- stronger, vibrant and more suited to our climate in New Orleans. -- Gerrie Bremermann
The South for me has outgrown a number of its stigmas. There is an emergence of eclecticism socially and certainly from a design perspective. Things just aren't as staid and conservative as they once might have been. -- Darryl Carter
Sparser, more pared down, and eclectic. -- John Chrestia
Southern style has been "distilled" over the last quarter century, reduced to its purist, most individual form. But it has remained warm, witty, and personal. Since Scarlet, Southerners have come full circle, again confident of our innate ability to drape our widows or shoulders with classic verve. We've beckoned for a fresh crop of Southern minds and talents, a revised concept on the notion of "separate, but equal". -- Barry Dixon
The one thing that remains constant (instead of changing) since Gone With the Wind, at least for me, is that I have lived all over the world for the past 20 years and I find myself back here. It's home, and the air, the sky, and the earth act like a homing beacon, drawing one back, eventually. -- David Feld
There is no question that Southern interiors have grown richer and fuller over the years. There is also no question that Southern interiors have "gone with the wind"? Southern interiors are not cliché. Instead, though based in tradition, they speak of modern times. New technologies coupled with new attitudes have firmly placed Southerners in the new century. -- Charles Gandy
Southern style is much more relaxed and less formal but still embraces its traditional nature. -- Jackye Lanham
Today we want for nothing. Indeed air-conditioning helps us deal with the South's heat, which stubbornly refuses to budge from high settings many months of the year. But some things never change. We are still searching for sun-loving plants. And, in truth, there is still a bit of Scarlet in most of us that compels us to put off until tomorrow what we would rather not think about today, such as changing those air-conditioning filters. -- Betty Lou Phillips
With a clientele that has exposure, travel, and communication with Europe, Southerners have reconnected with our past. We have allowed ourselves to borrow what we feel a connection with to Europe and our homes are showing a diverse, eclectic look. -- Cindy Smith
Since 1977, Southern style now has more confidence. Southern designers are more nationally recognized now as legitimate voices (i.e., Holden & Dupuy, Mary Drysdale, Ben Page, Sam Mockbee, or yours truly, just to name a few). Since Gone With the Wind, the South has gone from a very closed society to one that is very aware of the broader design world, including fashion, architecture, and furniture design. Southern designers are incorporating these more global ideas into their work, while still maintaining a uniquely Southern vision. -- Ken Tate
article and pics:
Southern Accents.com
Paula Deen.com
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